by Troi Watts
Were you excited for Dr. Jeffrey Weinstock’s talk on Vampire Suicide but just couldn’t make it to the lecture? Did you attend but wish you knew even more? No need to be disappointed anymore as you can read all about it right here! Dr. Weinstock came all the way from Central Michigan University to enlighten Ball State students on why vampires commit suicide. This lecture was actually a sort of rehearsal for Dr. Weinstock as he explained that it will be the keynote address at the International Vampire Film and Arts Festival in Romania. Anyone who was in attendance can tell you that his rehearsal was so well-done that it’s sure to be successful at the festival.
Dr. Jeffrey Weinstock has been an English professor at Central Michigan University since 2001, teaching a variety of courses that cover American literature and pop culture topics. A native to Washington, D.C. and Maryland, Dr. Weinstock completed his undergraduate education in English at the University of Pennsylvania, his graduate education in American Literature at George Washington University, and stayed on at George Washington University to complete his PhD. He has published numerous books and essays and has received various awards for his work. For example, his latest publication, The Age of Lovecraft, was the co-winner of the 2016 Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture. Needless to say, Dr. Weinstock has worked long and hard to become an expert in all things gothic.
But where did Dr. Weinstock’s interest in monsters begin? I took the time to ask him this and other questions in an email after the lecture. In his own words, he has always had an interest in “the dark side.” Even as a kid, he loved spooky stories, which presumably introduced him to his favorite monster (“if you can call them that”): ghosts! His interest in ghosts drove him to write his doctoral dissertation on the “issue of spectrality” and his first book on how American women in the nineteenth and early twentieth century wrote ghost stories as a form of social commentary.
When asked why he decided to give a lecture on vampire suicide, Dr. Weinstock explained that he was asked to be a part of a collaboration for an upcoming book, Suicide and the Gothic, edited by Andrew Smith and Bill Hughes. When he was considering what particular subject he could discuss, vampires popped into his head. He wasn’t entirely sure why, but he couldn’t stop thinking about them and the fact that vampires in films commit or contemplate suicide frequently. This is in line with the usual process he goes through to pick a topic. He typically starts with a question or problem of some sort and uses strong primary sources to research that question or problem. For example, when coming up with the topic of vampire suicide, Dr. Weinstock asked himself, “[W]hy do vampires commit suicide with such regularity?” and researched from there. Of course, a key component to this process is whether or not the topic interests him (I mean, who wants to research something that bores them?). Vampires absolutely fall under the “interesting” category.
Dr. Weinstock’s lecture started with a general breakdown of the main reasons that vampires contemplate, attempt, or commit suicide in films and literature: out of remorse, ennui (a French term for “boredom”), or heroism. From there on Dr. Weinstock discussed each point in-depth, providing examples from pop culture to demonstrate his points.
Regarding remorse, he said that sometimes vampires cannot come to terms with the monster that they have become, finding the fact that they must drink blood in order to survive to be evil or immoral. Varney the vampire, from the series by James Malcolm Rymer and Thomas Peckett Prest, displays this aspect; Varney throws himself into Mount Vesuvius in an act of suicide because he could no longer tolerate what he had become and wanted to end his existence.
Ennui is centered around the idea that vampires feel as if they can do basically anything they want and, being immortal, have plenty of time on their hands. But what happens when they get tired of partying and living? They turn to suicide. The example of Adam from Jim Jarmusch’s Only Lovers Left Alive was used in this section of the lecture. Adam, being several centuries old, has become bored with and can no longer tolerate life. He has lost interest in going into the outside world due to the fact that he dislikes what humans have done to it. He contemplates suicide (going so far as to have a wooden bullet made so that he may shoot himself) for these reasons.
Heroism was the final motivation for vampire suicide discussed by Dr. Weinstock. In certain situations, vampires may take it upon themselves to give their lives in order to save the people they care about (usually humans). To better demonstrate this aspect, Dr. Weinstock brought up the movie, 30 Days of Night by David Slade. In this film, a town in Alaska is invaded by vampires, leading Eben Oleson to become a vampire in order to protect his wife, Stella. Once the battle is over and the vampires have fled, Eben stands in the sunlight in order to kill himself as he does not want to become the monster that the other vampires were.
Despite the fact that they are monsters, vampires have a wide range of emotions and motivations that could eventually lead them to contemplate, attempt, or commit suicide. Not all vampires have evil intentions. Some are remorseful at the knowledge of what they have become, while others become heroes and protect humans. As Dr. Weinstock has shown, even the ones who are just trying to enjoy their immortality have it rough.
Weinstock, Jeffrey. Jeffrey Andrew Weinstock, PhD. https://www.jeffreyandrewweinstock.com/ Accessed 19 April 2017.
Weinstock, Jeffrey. “Re: Questions for the DLR Blog Post.” Received by Troi Watts, 8 April 2017.
Weinstock, Jeffrey. “Vampire Suicide.” DLR Presents, The Digital Literature Review, 31 March 2017, Ball State University, Muncie, IN.